Wednesday, April 02, 2008

Planet B Boy - More Than Meets The Cardboard

Whenever I visited NYC as a kid in the late 70's and early 80's, I relished each subway ride for the opportunity to gawk at the wonderful graffiti artwork that covered trains in that era. It was so New York, so cool - I never doubted its artistic merit. Breaking was another NYC product that captivated my imagination - I could barely do the dolphin, but I could dream (add MCing and DJing and you have Hip Hop). Last weekend I caught an early screening of Planet B Boy at the Landmark Sunshine Theater. Planet B Boy is a documentary about B Boys, aka break dancers - from their South Bronx roots to an annual international competition in Germany where a kaleidoscope of humanity is brought together through a love of Hip Hop. The film is wonderfully shot and edited and is a showcase for much more than moves that will make your jaw drop. The director, Branson Lee, a Korean American former B-Boy himself, has true passion and respect for the subject matter and the film delves more deeply into its character's lives than you have any right to expect. Not unlike other urban art forms that preceded it, it's through the work of someone from outside the original community that the depth of Hip Hop is revealed. First below is the official trailer, the second clip is not related to the film but contains some dope footage so enjoy!



1 comment:

Anonymous said...

1) those dancers are just insane! elbow spins?!?! amazing! their speed and skills just blow my mind away.

2) wild to see a somewhat of a fad for black and latino kids in the 80s become a worldwide thing. I can still recall the crews and how they used this style of in your face/insult you with a move dancing to vent rather than fight.

In the beginning rap had two themes: expressing frustration with black urban life; or expressing some sort of fun/celebration despite the urban challenges.

Now it has many more but unfortunately the central one has been drugs, womanizing and violence.

You can't resist dope beats and excellent rhymes but the record labels know what sells with white kids (the glorified thug life).

that's aight though, there are still plenty of artists who keep true to the roots of hip-hop despite the easy money in crap rap.

I want to see this movie and hopefully it captures how the hip hop scene has developed.

again, those kids are no joke!